In 1995, an astronomer proposed a peculiar project. It was to use the Hubble Telescope to capture a small part of the universe that was then known to be a void. In 1447 in Chosun Dynasty, Prince Anpyeong had a dream of walking through a peach blossom forest shrouded in clouds and mist, and he asked the painter, Ahn Gyeon, to capture it in a painting. Through the juxtaposition of the two historical anecdotes, the film examines the images of ‘the far and near’ through printing, transforming, and distorting the photos from the NASA Image and Video Library.
In 1995, an astronomer proposed a peculiar project. It was to use the Hubble Telescope to capture a small part of the universe that was then known to be a void. In 1447 in Chosun Dynasty, Prince Anpyeong had a dream of walking through a peach blossom forest shrouded in clouds and mist, and he asked the painter, Ahn Gyeon, to capture it in a painting. Through the juxtaposition of the two historical anecdotes, the film examines the images of ‘the far and near’ through printing, transforming, and distorting the photos from the NASA Image and Video Library.
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