When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.
When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.
A platform for film enthusiasts to discover entertainment content. Always verify content ownership through official channels.
Our service indexes publicly available web resources similarly to search engines. All trademarks and content rights remain with their respective holders. For takedown requests, please contact the originating sources directly.
